My current practice explores the boundary between painting and sculpture. Recently, I have been creating wall-hanging sculptures that reference both Eastern and Western aesthetics through a lens of minimalism, beauty and reduction. Most notably I’m drawn to Western Ideas of illumination and light, and Eastern ideas that focus on shadow and subtlety. This is referenced physically through the application of gold leaf and the subtle curves or tapered edges within my works. The use of black is prominent throughout my work because I find it is the most reduced essence of what colour can be. For me, black acts as the materialisation of the void.

 

Moving between 2-D and 3-D is a natural part of my creative process. This allows me to fully render the subjects and ideas that I’m interested in as well as expanding the range of creative possibilities available. My sculptural works are an attempt at perfection and beauty. For me this is closely related to the passage of time, as the experience of perfection is subjective and only reveals itself in certain moments. I aim to create something which can act as a catalyst for spiritual experience through art by curating a moment in time that can give way to the uplifting experience of the beautiful and one that attempts to reveal the idea of perfection.

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        我目前的实践探索绘画和雕塑之间的界限。最近，我一直在创作壁挂雕塑，通过极简主义、美丽和简约的视角，参考东方和西方美学。最值得注意的是，我被西方的照明和光的理念以及专注于阴影和微妙的东方理念所吸引。这在我的作品中通过金箔的应用和微妙的曲线或锥形边缘来体现。黑色的使用在我的整个作品中很突出，因为我发现它是颜色中最简单的本质。对我来说，黑色是虚空的具体化。

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       在 2D 和 3D 之间切换是我创作过程中很自然的一部分。这使我能够充分呈现我感兴趣的主题和想法，并扩大可用的创作可能性范围。我的雕塑作品是对完美和美丽的尝试。对我来说，这与时间的流逝密切相关，因为完美的体验是主观的，只有在某些时刻才会显现出来。我的目标是创造一些可以通过艺术作为精神体验催化剂的东西，通过策划一个可以让位于令人振奋的美丽体验和试图揭示完美理念的时刻。